top of page


Miriam Bale: Indie Memphis 2020
This year Indie Memphis Film Festival held a combination of virtual and outdoor screenings meaning we got to view most of the film...


Water Lilies: Sexuality, Unrequited Love and the Importance of Friendship
Céline Sciamma’s impressive debut film, Water Lilies, paints a realistic portrait of adolescent lust which tackles subjects of body...

The Watermelon Woman: Cheryl Dunye’s Disruptive Cinematics
Cheryl Dunye is a film director, producer, screenwriter, editor, and actor. She is Black and identifies as a lesbian. Dunye became...


documenta 14: Learning from Women
documenta 14 is the 14th edition of the quinquennial art exhibition held in Kassel. Founded by Arnold Bold in 1955 to help reignite...

GFF 2017 Premiere: Below Her Mouth
Boasting the rare set-up of an all-women cast and production crew, as well as an intensely powerful, unashamedly queer narrative, Below...


REVIEW: LA LA LAND (2016)
La La Land (2016) is a brilliant film in many ways. The shots are meticulously and beautifully arranged, colour seeps out of every scene...


Review: Oonagh Kearney’s feminist reimagining of OÃche Nollaig na mBan
Walking into The Wild at the Project Arts Centre exhibition space, among the sculptural and painted works a television screen shines in...


REVIEW: THE INFINITE MIX
If you are like me then the gallery experience can bring on intense feelings of impostor syndrome. When walking around the large spaces...
bottom of page