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Miriam Bale: Indie Memphis 2020
This year Indie Memphis Film Festival held a combination of virtual and outdoor screenings meaning we got to view most of the film...

I'll See You in Cuba
The story that informs my obsession with the Cuban moving image is deeply personal, though it’s certainly not private. If anything, it is...

Visualising Blackness: Handsworth Songs and Documents of Police Brutality
“The question today is not so much can the subaltern speak, for the new global networks of technicity have solved this problem with...


MO SCARPELLI: THE MAKING OF A FATHER AND SON
Set in Venezuela, documentary El Father Plays Himself directed by Mo Scarpelli delves into the relationship between a father and son as...


KSENIA OKHAPKINA: HOW FREE ARE YOU AND ME?
Set in a former Russian labour camp, IMMORTAL observes various youth groups in the town of Apatity preparing for a national holiday;...


WORKERS / SISTERS
Sisters! opens in a way that many films end. On a visitor sign-in sheet a group of individuals write their name, time of arrival,...


MO SCARPELLI: FAIRY TALES FROM THE IN BETWEEN
Set in Addas Abba, Ethiopia, Anbessa tells the story of a boy named Asalif living on the periphery of a new collection of condos; on the...
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